Sometime ago, I mentioned the above in a post on Lowry's reference to the song in his film script to Fitzgerald's Tender Is The Night. Since then, I have managed to find a recording of Frankie Trumbauer's version of the song which I had mentioned in the previous post.
Talking about Hannahs. There's another tune, "Oh Miss Hannah!" on the other side of "Collegiate", sung in the most original manner by the Revellers on HMV. It's absolutely the world's best sung tune, and they sing it in Fox Trot Time as though they were a band. Letter to Carol Brown in Collected Letters Of Malcolm Lowry
Oh, Miss Hannah Fox Trot (Hollongsworth-Deppen) played by the Revelers Victor Record Company with Orthophonic Scroll label 19796-A Electrically Recorded in 09.15.1925 would appear to have been a hit with the young Malc while at the Leys School in Cambridge.
The Revelers were an American quintet (four close harmony singers and a pianist) popular in the late 1920s and early 1930s. The Revelers' recordings of "Dinah", "Old Man River", "Valencia", "Baby Face", "Blue Room", "The Birth of the Blues", "When Yuba Plays the Rumba on the Tuba", and many more, became popular in the United States and then Europe in the late 1920s.
All of the members had recorded individually or in various combinations, and formed a group in 1925. The original Revelers were tenors Franklyn Baur and Lewis James, baritone Elliot Shaw, bass Wilfred Glenn, and pianist Ed Smalle. Smalle was replaced by Frank Black in 1926. The group (with Black at the piano) appeared in a short movie musical, The Revelers (1927), filmed in the sound-on-disc Vitaphone process. This one-reel short film, recently restored by "The Vitaphone Project," shows the group performing "Mine", "Dinah", and "No Foolin'". A second short, filmed the same day with another three songs, awaits restoration.Wikipedia
The Revelers Quartet (1927) includes James Melton (#1), Lewis James (#2), Elliot Shaw (#3), Wilfred Glenn (#4), and Frank Black (#5), their arranger and accompanist. (Photo by Bruehl)
Here is another version recorded by Paul Whiteman Orhestra featuring Charles Margulis, Harry Goldfield (tp); Bix Beiderbecke, Andy Secrest (c); Boyce Cullen, Bill Rank, Wilbur Hall, Jack Fulton (tb); Frank Trumbauer, Chester Hazlett, Irving Friedman, Roy Maier, Bern:
I would imagine that the less youthful and more knowledgeable Malc of Cambridge University days would have preferred the above version given that the band contained 2 of his heroes Frankie Trumbauer and Bix Beiderbecke. Bing Crosby delivers a brief (uncredited) "vocal refrain", demonstrating his abilities as a "mellow crooner", for which he'd later become famous, in a beautiful Bill Challis arrangement.
Here is the second volume of jazz sides which I think Malc would have enjoyed listening to.
Tracklisting:
1. Joe Venuti Satan's Holiday 2. Bessie Smith Reckless Blues 3. Django Reinhardt Djangology 4. Django Reinhardt Oriental Shuffle 5. Bix Beiderbecke Davenport Blues 6. Original Memphis Five Bass Ale Blues 7. Joe Venuti & Eddie Lang Wild Dog 8. Frankie Trumbauer Way Down Yonder In New Orleans 9. Frankie Trumbauer Futuristic Rhythm
I've used a book cover from Scott Fitzgerald whose novels have come to epitomise the 1920's Jazz Age. Malc and his wife Margerie wrote a film script for Fitzgerald's Tender Is The Night which was never made into a film and was only published in 1990.
The above track features another of Lowry's jazz heroes Frank Trumbauer. The full line up is:
Bix Beiderbecke (c); Charlie Margulis (tp); Bill Rank (tb); Frank Trumbauer (Cms); Irving Friedman (cl/as); Chet Hazlett (as); Matty Malneck (vln); Lennie Hayton (p); Eddie Lang (g); Min Leibrook (bsx); Hal McDonald (dm); Irving Kaufman, under the name of Noel Taylor, (voc). New York, April 3, 1928.
I have recently discovered an article on Jazz.com which has an interesting evaluation of Frankie's music.
You can also read a discography over on Red Hot Jazz and listen to the tracks.
I will be featuring more of Frankie Trumbauer's tracks on the forthcoming Malc's second jazz mix.
Recorded by Frank Trumbauer and His Orchestra on Sep 20, 1928 Released on Dec 15, 1928. Personnel: Bix Beiderbecke, c; Bill Rank, tb; Frank Trumbauer, C-mel sax, as; Irving Friedman, cl, ts; Roy Bargy, p; Wilbur Hall, g; Min Leibrook, bass sax; Lennie Hayton, d and Scrappy Lambert, v.
I have recently come across an excellent resource on Bix which is worth dropping into if you want to know more about one of Lowry's favourite musicians.
Above photograph courtesy of the Bix Forum shows a still of Bix from a Goldkette/Mertz film which I still need to track down.
I follow on from the last post on Joe Venuti's Tap Room Blues with a feature on Adrian Rollini who accompanied Joe Venuti on that track.
Adrian Rollini was a child prodigy on piano; at age four he played a recital at the Waldorf Astoria Hotel (34th sreet and 5th Avenue) in New York. He led his own band at age 14 and began playing with the California Ramblers in the early 1920s. The band also featured Red Nichols, Jimmy and Tommy Dorsey.
While in that band Rollini developed his distinctive style of bass saxophone playing. He played in Red Nichols' Five Pennies and appeared on many of Red's recording sessions. He also worked with Frankie Trumbauer and his Orchestra and recorded with Cliff Edwards and Bix Beiderbecke and his Gang.
I set this blog up to mark the centenary of Malcolm Lowry's birth in July 2009.
I want to use the blog to publish my on-going research into Lowry's Wirral and to document my psychogeographical wanderings around Wirral and Liverpool in search of Lowry's spirit.
I will also use the blog to document the various themes that run through Lowry's work such as his love of cinema and jazz which I share with him.
Draw up a stool and join Malc and me at the bar in the clubhouse and enjoy the night!
Colin Dilnot
colin.dilnot@gmail.com
The photograph shows the original Caldy Golf Clubhouse, Wirral (not actually the 19th hole because the course was only 9 holes when first developed!) circa 1910.
You can see Caldy in the background which was just being developed by David Benno Rappart.
The clubhouse would have looked like this when Malcolm Lowry as a youth used the course which was near to his home at Inglewood in Caldy.
The clubhouse was located to the west of the Hooton to West Kirby Railway line near a bridge crossing what is now Shore Road. The building still stands and has been converted to residential accommodation though the landscape has changed considerably in a 100 years.
I will be sharing more information and photographs detailing Lowry's Wirral both on the blog.
An essay detailing some of my research is now published in a book called Malcolm Lowry: From the Mersey to the world.
I am currently working on a bigger project entitled 'Gutted Arcades of the Past' detailing Lowry's early life and works.
Malcolm Lowry: From the Mersey to the World Biggs, Bryan & Tookey, Helen (eds)
Malcolm Lowry described Liverpool as ‘that terrible city whose main street is the ocean’. Born on the Wirral side of the river Mersey, Lowry’s relationship to the Merseyside of his youth informs all of his writing and Liverpool itself continued to hold tremendous significance for him, even though he never returned. Published in conjunction with a festival and exhibition at Liverpool’s Bluecoat arts centre celebrating Lowry’s centenary, this beautifully produced book showcases a variety of creative and critical approaches to Lowry and his work, and includes twelve specially commissioned pieces of new writing. There is a particular focus on place and on journeys; contributors write from the UK, Europe, Canada and Mexico, and reflect both on Lowry’s ‘voyage that never ends’ and on their own journeys with and through Lowry’s work. The book also demonstrates the richness of Lowry’s influence on contemporary visual artists and includes full-colour illustrations throughout. It will be an indispensable companion for anyone interested in the creative legacy of Malcolm Lowry’s life and work.