Showing posts with label José Guadalupe Posada. Show all posts
Showing posts with label José Guadalupe Posada. Show all posts

Tuesday, 25 January 2011

Lowry's poem, 'Thirty-five Mescals in Cuautla' 1937


Click on the photo to enlarge

On the pictured calendar, set to the future,
The two reindeer battle to death, white man,
The tick of real death, not the tick of time,
Hearing, thrusts his canoe into a moon,
Risen to bring us madness none too soon


The above lines are taken from Lowry's poem, 'Thirty-five Mescals in Cuautla'. The image of the reindeer locked in battle has always fascinated me. I was recently reading a Life magazine dated 24th May 1937 and there on page 96 was the above article. Could this possibly be the source for Lowry's image of the two reindeer in his poem?

As I have already noted in a post on the Source for "In Memoriam Ingvald Bjorndal And His Comrade", Lowry uses a variety of sources for his work including newspapers, magazines, journals and periodicals.

He may have been reading the Life magazine whilst drinking the 35 mescals in Cuautla! Chris Ackerley notes in Lowry's Collected Poems that Malc claims the poem was written in the town in July 1937. But Chris goes on to say that Conrad Aiken claimed it was sent to him from Charlie's bar in Cuernavaca.


Agua Hedionda Cuautla, Morelos, México, entre 1926 y 1935



I have featured Jose Guadalupe Posada before on the blog and I came across the poster below whilst searcing about Cuautla:



In 1900 Maucci Brothers, a Spanish publisher, commissioned José Guadalupe Posada. Posada to illustrate a series of pamphlets for children on the history of Mexico. Each pamphlet measuring 4 3/4 x 3 1/4 in. is approximately 16 pages. The cover illustrations are probably the only mechanically produced chromolithographs that Posada ever did. See more here

Saturday, 30 October 2010

José Guadalupe Posada


Jose Guadalupe Posada: (1852–1913) was a Mexican cartoonist illustrator and artist whose work has influenced many Latin American artists and cartoonists because of its satirical acuteness and political engagement.

Posada was born in Aguascalientes, on February 2, 1852. His education in his early years was drawn from his older brother Cirilo, a country schoolteacher, who taught him reading, writing, as well as drawing. As a young teenager he went to work in the workshop of Trinidad Pedroso, who taught him lithography and engraving. In 1871, before he was out of his teens, his career began with a job as the political cartoonist for a local newspaper in Aguascalientes, El Jicote ("The Bumblebee"). After 11 issues the newspaper closed, reputedly because one of Posada's cartoons had offended a powerful local politician.[1] He then moved to the nearby city of León, Guanajuato. There he was married to Maria de Jesús Vela on September 20, 1875. In Leon, a former associate of his from Aguascalientes assisted him in starting a printing and commercial illustration shop. They focused on commercial and advertising work, book illustrations, and the printing of posters and other representations of historical and religious figures. Included among these figures were the Virgin of Guadalupe, the Virgin, the Holy Child of Atocha and Saint Sebastian. In 1883, following his success, he was hired as a teacher of lithography at the local Preparatory School. The shop flourished until 1888 when a disastrous flood hit the city . He subsequently moved to Mexico City. His first regular employment in the capital was with La Patria Ilustrada, whose editor was Ireneo Paz, the grandfather of the later famed writer Octavio Paz. He later joined the staff of a publishing firm owned by Antonio Vanegas Arroyo and while at this firm he created a prolific number of book covers and illustrations. Much of his work was also published in sensationalistic broadsides depicting various current events.

Posada's best known works are his calaveras, which often assume various costumes, such as the Calavera de la Catrina, the "Calavera of the Female Dandy", which was meant to satirize the life of the upper classes during the reign of Porfirio Díaz. Most of his imagery was meant to make a religious or satirical point. Since his death, however, his images have become associated with the Mexican holiday Día de los Muertos, the "Day of the Dead". Read more on Wikipedia


Here are two parts of a documentary in Spanish about José Guadalupe Posada: